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His thinking has been greatly influenced by eastern philosophy; the pantheistic approach can easily be traced in his works. He dedicates special attention to the surface of his sculptures, which, as a boundary of the inner and the outer, simultaneously separates and connects. In the past year, in addition to wood, he has also used other materials, using them on their own, combined with each other, or with wood. Beyond direct references, its multifaceted symbology adds new layers of meaning to the works, and the exhibition as a whole.
His photos and installations of carefully staged composition show everyday, banal scenes and objects, which, through their manner of presentation, bear cultural reference.