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As if these pieces were transubstantiated into monuments of infinite waiting, watching and vigilance. The issues engaging Karoly Halasz to this day, related to geometry, constructivism or planar and spatial problems of form, unfold through graphics and paintings on industrial canvas, two- and three-dimensional sculptures and a metal sculpture originally exhibited in 1972 in Balatonboglar and in 1978 in Pecs, now reconstructed for the exhibition.
The exhibited static and kinetic objects ironically reflect on the local and global political phenomena of our time from the perspective of ordinary people, occasionally using simple practical jokes. Conceived by an artist in his early thirties, the series focuses on stereotypes, which are necessary elements of human thinking while bearing the possibility of manipulating the individual, the results of which take effect on a social level.
Our brain processes the constant flood of information with different methods to make them evocable as memories.