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She plays with and cheekily deconstructs the usual setup of the male artist as the active creator, versus the female model considered as static, passive muse, a norm first overthrown by Marcel Duchamp and his feminine alter-ego Rrose Selavy. This sculptural collage is a statement to the bare monument, to female physicality, in which the artists body becomes a tool of reclaiming its own power.
Voicing loudly the arrogance of the European Union in relation with the integration of south-east Europeans, especially women, she addressed this topic in a performance entitled Looking for a husband with EU passport (2000-2003), in which she confronted her own vulnerability as non-European woman for who marriage is the only way to obtain European papers.
Referring both in content and in size the French painter Gustave Courbets original piece from 1866, the artists own naked body appears in the same position, only her genitals are covered with panties reproducing the European flag.